St. Louis Symphony Orchestra

Powell Hall reopens as Jack C. Taylor Music Center after $140 million renovation and expansion in St. Louis

The St. Louis Symphony Orchestra has reopened Powell Hall following a two-year, $140 million renovation and expansion that modernizes the historic venue while preserving its renowned acoustics and architectural character.

Originally built in 1925 and converted into a symphony hall in 1968, Powell Hall has long been a cultural landmark. The latest project, now known collectively as the Jack C. Taylor Music Center, includes a 65,000 SF addition, expanded public amenities, improved accessibility, and enhanced backstage and rehearsal spaces.

The renovation was designed by Snøhetta as design architect and Christner Architects as architect of record, with acoustical consulting by Kirkegaard. BSI Constructors served as general contractor.

Upgrades include new lobbies, concession areas, elevators, restrooms, and terrace spaces, along with a state-of-the-art Education and Learning Center. Musicians benefit from modernized rehearsal areas, dressing rooms, and a new recording studio.

A ribbon-cutting ceremony in mid-September marked the completion, with civic leaders highlighting the project as both a cultural and economic catalyst for the city’s Grand Center Arts District. The opening celebration featured a performance led by Music Director Stéphane Denève, which showcased the hall’s refined acoustics.

The orchestra will launch its inaugural season in the renovated space Sept. 26–28 with a weekend of concerts, including world premieres and guest appearances. A free community open house is planned for Nov. 8, offering the public an opportunity to explore the reimagined venue.

Powell Hall’s transformation positions it as both a premier concert hall and a broader civic asset, ensuring its continued role at the center of St. Louis’s artistic and cultural life for decades to come.


Header image: Exterior of Powell Hall at the Jack C. Taylor Music Center. Photo | St. Louis Symphony Orchestra credit: Sam Fentress